He started out with advertising in 1980 and moved on to graphic design in 1994. I was also inspired by the blog post about Brandi Fitzgerald.Stefan Hattenbach is a well-known Swedish type designer with over 30 years of experience with type design, graphic design and advertising. I’ve been working on a poster ‘Keep Calm And Put The Kettle On’ (it’s a very British thing, whenever us Brits face problems we always start by putting the kettle on for a cuppa lol).Įvery element in this design is from the various bundles I’ve purchased from Design Cuts, except for the birds which I drew myself in AI. But I also played around with all the fonts in AI, which I am a real novice with, but do use from time to time so the bit of the tutorial for that was also very helpful. Thanks! Yes that works, it’s a little more fiddly so they’ve obviously improved it with the various PS upgrades. Since this document is for on-screen demo purposes only, no need to create a print-ready document. I started by creating a 1920×1200 pixels 72 dpi document in Photoshop. Luckily for us, both Illustrator and Photoshop allow us to use these alternates, swashes, and other awesome tips and tricks. Graphite), but that’s going to be for another time. That’s a bit of a summary, and if we had time I’d talk a little bit about the history of typeface file formats ( OTF vs. This system of alternate characters allows compatible applications to be able to make your pieces look a bit more organic, and yet to keep the ease of use and flexibility of a typeface. The creators of all these type families have painstakingly created alternative versions for their characters (along with some other cool goodies, like swashes, shadows, etc.), so the type blocks you’ll be writing don’t feature the same letter “A” all the time.
The imperfections that should be part of a hand-lettered piece won’t be there, and the resulting piece will clearly be identifiable as a typeface, rather than a manually crafted type element.īut these aren’t “regular” typefaces.
This means that you’ll only have access to one rendition of the letter “A” for instance (the most frequently used letter in the English language). Why? A lot of typefaces include only one set of characters. They feature characteristics (hand-drawn style and/or aging artifacts) that, in regular typefaces, would very obnoxiously show everyone that this type piece or block has been written using a typeface. Let’s have a look again at the beautiful typefaces that are included in the Monster Creative Font Bundle (Includes Web Fonts).Īll these typefaces have something in common. While it makes sense from a design standpoint (ever heard of the “no more than three fonts” rule?), it doesn’t really do justice to the other amazing options that you have at your fingertips. Hey Design Cutters! One of the things I realized from my poster tutorial is that it’s using only two typefaces out of the ten families offered in the deal.
#Use font glyphs on a mac 2018 how to#
You’ll learn exactly how to unlock the hundreds of extra characters and symbols available to you with these, or any extensive opentype fonts. This tutorial is a bonus tutorial, that leads on from Simon’s in depth poster design tutorial. However, once you master them, you really open up so many more possibilities when working with great fonts.Īfter getting so many questions about how to use the extra characters, glyphs and swashes available with the fonts in our current Monster Creative Font Bundle, Simon has been kind enough to put together this comprehensive guide. Swatches, contextual alternates, glyphs, ligatures… if you’re not familiar with how to use these font features, they can be a little intimidating to start with.
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